The Sea, the Sky, the Abyss: Alzheimer's Stories
May 17th, 2025, Westwood Baptist Church

The Sea, the Sky, the Abyss: Alzheimer’s Stories

Concert Singers of Cary Symphonic Choir

Jennifer Beattie, mezzo soprano
Will Hughes, baritone
Nathan Leaf, conductor
Josh Johnstone, assistant conductor
Allen Bailey, pianist

Chris & M.J. Weissenberger, lighting design

This evening, you will hear music by two living American composers, Robert S. Cohen and Jake Runestad. Although the individual pieces have many differences in terms of size, structure, style, and orchestration, they are tied together in two important ways. First, while the instrumentation is different in each, they all share use of SATB choir, piano, and percussion. Once you’ve made the commitment to have several percussionists in the concert, load up a truck full of percussion instruments to bring to the  performance space, and rent a beautiful concert grand piano, it seems logical to use those things as much as possible in the performance.

The second way in which this music is bound together is through the thematic concept of vastness. Certainly, when we consider the ocean, the sky, and the cosmos, we can acknowledge our limited ability to fully comprehend the scope and power of these huge bodies and spaces. Similarly, when we consider the journey of Alzheimer’s and other forms of dementia, the person who suffers from the disease and the people who care for them are entering a new world where full reality is at least partially obscured, and complete comprehension seems beyond any possibility. In all these situations, we are humbled and affected by things beyond our perception and immense forces outside of our control, for worse or for better.

Over the last decade, Jake Runestad has established himself as one of the leading choral composers in the United States. His works utilize a wide range of texts, often in unique combinations. In The Ways of Stars, the composer compiled various texts by Maria Mitchell (1818-1889), an endlessly curious Renaissance woman and the first woman to become a world-renowned astronomer and to be elected as a fellow of the American Academy of Arts and Sciences. Much of the text set to music comes from her published account of viewing an 1869 solar eclipse with a cohort of her students from Vassar College.

Alzheimer’s Stories was commissioned in 2008 by the Susquehanna Valley Chorale, a community choir in Pennsylvania. By the composer’s own admission, after giving the project some initial thought, he almost turned down the offer because it was difficult to conceive of how to write an oratorio about Alzheimer’s Disease. With the collaboration of the librettist, Hershel Garfein, “a blog was set up on the choir’s website to record stories by chorus members and the local community describing experiences with relatives and friends who had Alzheimer’s disease, with a selected group of those stories becoming the basis for the work.” The oratorio is set in three movements. The first movement, “The Numbers,” is mostly an objective description of facts and history of the disease. The second, “The Stories,” is a mosaic of stories from the blog, presented with poignancy, pathos, and humor. The third, “For the Caregivers,” finds hope and a way to cope for those who provide the care and support that is needed for their loved ones.

We are grateful to the Glade Adult Daycare Center, Cary Art Daze Festivals: Spring Daze and Lazy Daze, and the Town of Cary for their sponsorship of this program.

Thank you!

Concert Singers of Cary is immensely grateful to Westwood Baptist Church and Derrick Arellano, Associate Pastor for Music and Worship, for their hospitality and gracious assistance in hosting this concert. We would also like to thank Kathryn Jones, Kerry Johnston, and First United Methodist Church of Cary for the use of their bells as well as the NC State Department of Performing Arts and Technology for use of percussion instruments.

Program

Please silence all cell phones. Taking photos or using recording devices during the performance is a distraction to the performers and to other audience members and is strictly prohibited.


The Secret of the Sea                       Jake Runestad
  1. The Unbounded Sea
  2. Crash on Crash
  3. The Light that Fills the World
Becoming the Ocean                         Jake Runestad
The Ways of Stars                             Jake Runestad

    Francesca Balestrieri, Grace Matthews, Elizabeth Brown, soloists

INTERMISSION


Alzheimer’s Stories                       Robert S. Cohen
   
   Part I: The Numbers
   Part II: The Stories
   Part III: For the Caregivers

Texts and Translations

The Secret of the Sea 

Jake Runestad

  1. The Unbounded Sea

Lo, the unbounded sea!
On its breast a ship starting, spreading all sails,
the pennant is flying aloft as it speeds,
      below emulous waves press forward,
they surround the ship with shining curving motions and foam.
   – Walt Whitman

My soul is full of longing
for the secret of the sea.
   – Henry Wadsworth Longfellow

  1. Crash On Crash

Crash on crash of the sea,
raging against the world,
furious, the deep roar hailing you,
the very gods,
rearing their mighty length
on the unharvested sea.
   – H.D. (Hilda Doolittle)

  1. The Light that Fills the World

The great sea
moves me, sets me free.
The winds of the earth
carry me away,
and my soul is filled with joy.

When I drifted out
and thought myself in danger,
my fears captured me –
all of the things I had to get and to reach.

but there is only one great thing,
the only thing:
to live to see the light that fills the world.
   – Uvavnuk, Iglulik Eskimo

[Texts edited and adapted by the composer.]

    Becoming the Ocean 

    Jake Runestad

    Fear by Kahlil Gibran (adapt. Runestad)

    It is said that before entering the sea,
    a river trembles with fear.

    She looks back at the path she has traveled,
    from the peaks of the mountains
    to the long-winding road crossing forests and villages.

    And in front of her,
    she sees an ocean so vast,
    that to enter it
    she might disappear forever.

    There is no other way.
    The river can not go back.

    No one can go back.

    The river must take the risk
    of entering the ocean;
    only then will fear disappear.
    That’s when the river will know
    it’s not disappearing into the ocean,
    but becoming the ocean.

    The Way of Stars 

    Jake Runestad

    The morning was as beautiful as morning could be.
    Our instruments consisted of an equatorially mounted
    telescope of four inches aperture,
    a small one of two and a half inches,
    and a perfect little instrument of three inches.

    We must try colored glasses; we must examine clamps;
    we must test screws; we must adjust focus.

    The moon was expected to appear at a point
    122 degrees from the vertex of the sun.
    There were seconds of breathless suspense,
    and then the inky blackness appeared on
    the burning limb of the sun.

    Born a woman–born with the average brain of humanity–
    born with more than the average heart–
    if you are mortal, what higher destiny could you have?
    No matter where you are nor what you are,
    you are a power.

    As the moon moved on, the crescent sun
    became a narrower golden curve of light.

    Light clouds drifted toward the sun;
    a sickly green spread over the landscape;
    Venus shone brightly on one side of the sun,
    and as the last rays of sunlight disappeared…
    the corona burst forth,
    it encircled the sun
    and sent streamers for millions
    of miles into space!

    We rejoiced with Nature,
    we loved the light!

    Give me the ways of wandering stars to know
    the depths of heaven above and the earth below. (Virgil)

     

    [Writings by Maria Mitchell, collected and adapted by the composer.]

     

    INTERMISSION

    Alzheimer’s Stories 

    Music: Robert S. Cohen         

    Libretto: Herschel Garfein

    1. The Numbers

    Chorus: Here are the numbers.
    1901. 1906. 1911.

    Here are the numbers.
    1901: patient diagnosed, age 51.
    1906: patient died, age 55.
    1911: condition named.

    Here are the numbers.
    1901, 2009.
    1901: one patient diagnosed.
    2009: five million two hundred thousand. Twenty-six million worldwide.

    1901: Mrs. Auguste Deter, age 51, enters the Mental Asylum of Frankfurt am Main.
    Her symptoms are unusual. 1902: loss of memory; 1903: delusions, anger;
    1904: paranoia.
    1906: She dies, age 55.
    Her doctor is Alois Alzheimer.

    Here are the numbers.
    1901, 2009.

    Here are the numbers. From one to twenty six million worldwide.
    Here are the numbers. 2050: one hundred six million people worldwide;
    one in eighty five people worldwide.
    1901. Dr. Alzheimer’s question:

    Baritone: What is your name?
    Mezzo: Auguste.
    Chorus: Question:
    Baritone: What is your husband’s name?
    Mezzo: Auguste, I think. Auguste.
    Baritone: How long have you been here? How long have you been here?
    Mezzo: I have lost myself. Ich hab mich verloren.
    Chorus: Ich hab mich verloren. [Repeat]

    Chorus: Question:
    Baritone: What is your name?
    Mezzo: Auguste.
    Chorus: Question:
    Baritone: What is your husband’s name?
    Mezzo: Auguste, I think. Auguste.
    Chorus: Question:
    Baritone: How long have you been here? How long have you been here?
    Mezzo: I have lost myself. Ich hab mich verloren.

    Chorus: Ich hab mich verloren. [Repeat] Question:
    Baritone: What are your children’s names?
    Mezzo: My children?
    Baritone: Their names.
    Mezzo: My children? Auguste, I think.
    Baritone: Your children.
    Mezzo: My children?

    Chorus: Ich hab mich verloren. [Repeat]
    At first, a memory lapse.
    Jumbling words or names;
    A moderate cognitive decline.
    You’re not sure where you are,
    The day, the week, the year;
    Forgetting simple things
    Like keys or coats or everyday objects,
    And then the street you live on… and soon, those you live with.

    Chorus: Here are the numbers. 1901. 1906. The latest number. The numbers.

    [Repeat]

    Baritone: Question: What is your name? [Repeat]
    Mezzo: Auguste. [Etc.]
    Baritone: Question.
    Mezzo: Question.
    Baritone: What is your name?

    Mezzo and Chorus: Ich hab mich verloren.
    Baritone: How long have you been here? [Repeat]
    Mezzo: Auguste, I think. [Repeat]
    Chorus: Ich hab mich verloren. [Repeat]

     

    1. The Stories

    Chorus: I am seeing my dad on an overturned milk crate staring at nuts and bolts  from an RV wheel. He has taken it apart, the kind of thing he could do in his sleep, but now he sits staring, like he’s never seen it before. But now he sits staring. 

    This is my story. 

    I am riding with my mom back home from the A & P. We’re chatting away, enjoying the day, and then we sail through a stop sign, we’re up on the sidewalk, flying past our neighbor’s house… She had blacked out; I thought we would die. 

    I say, “Mom, you can’t drive now.” “I drive as well as ever.”  

    “Pop, you can’t live alone.” “You’re not putting me in one of those homes.” 

    This is my story. 

    Time forgotten, time remembered; images lost and names return. Place forgotten, place remembered; names have vanished, images held. 

    I run to my grandparents, right at the door, and I hug my grampa first. And he turns to my grandma and says, “Who on earth is this?” “Who on earth is this?”  

    Time forgotten, time remembered; images lost and names return.  

    Place forgotten, place remembered; names have vanished, images held.

    * * * 

    Mezzo: Are we on the boat to Panama? Are we on the boat to Panama? Are we on the boat, are we on the boat to Panama? 

    Chorus: Mom, you’re in a nursing home. 

    Mezzo: Daddy’s taking us to Panama. Daddy’s taking us to Panama. Daddy’s taking us, Daddy’s taking us to Panama. We run down the boat’s long 

    hallways, Mary chasing after me. We pull on every doorknob, and swing off all the handrails. 

    Chorus: The handrails help you walk. The handrails help the patients walk. Baritone: [Interrupting:] Speaking of boats…!  When I was in the Navy oh! we raised some hell!  

    Chorus: Yes, Dad. Yes, Dad. 

    Baritone: In any port, the order was: be back on board at midnight, standing on your feet.  

    Chorus: Uh huh.  

    Baritone: If you were late or showed up drunk, or had “I ’n I”* ‘til you smelled like a skunk, then KP, swab the deck, hit the rack, you’ll never go back on shore  again – oh! We raised some hell.” 

    Speaking of boats…! 

    Chorus: Here we go. 

    Baritone: Have I told you about the Navy oh! we raised some hell!

    Chorus: Yes, you raised some hell! Yes, you raised some hell!  

    Baritone: In any port, the order was: be back on board at midnight… 

    Chorus: [Muttering quietly, having heard this story many times:] Back on board.

    Baritone: …standing on your feet.  

    Chorus: That’s right!  

    Baritone: If you were late… 

    Chorus: If you were late, or showed up drunk… 

    Baritone: Or showed up drunk, 

    Chorus: Or had “I ’n I”  

    Baritone: “I ’n I” 

    Chorus: ‘Til you smelled like a skunk, 

    Baritone: Smelled like a skunk then  

    Baritone and Chorus: KP, swab the deck, hit the rack you’ll never go back on shore  again– oh! We raised some… 

    Baritone: [a memory:] …raised some hell. 

          * I’n I: “Intercourse and Intoxication” (naval slang).

    * * * 

    Chorus: My Dad said, please sing. Sing anything. He talks to the pictures on his desk. 

         She dresses for church four days early Sing anything: It’s Only Make-Believe; April Showers

    Mezzo: Are we on the boat to Panama? 

    Baritone: I can’t remember the names of my shipmates. 

    Chorus: My Dad said, please sing. Sing anything. 

         A tiny woman tied into a wheelchair. 

         Pink makeup, rosy lipstick. 

         Next thing you know, she’s up and cha-cha-cha-ing. 

         Panama…Sing anything. 

    This is my story. This is how pieces of a life were lost. These are the pieces of a life recalled. This is my story. Love and compassion repair every loss, one by one, time and again. 

    * * * 

    Mezzo: Look at this photograph! Oh, I remember this! I’m in an evening gown, descending a gleaming circular stair. Circular stair… 

    1. For the Caregivers

      Chorus and Soloists:

      Find those you love in the dark and light.
      (It was brief, but she knew me; she looked at me and knew me.)
      Help them through the days and nights.
      (As he died, his arm lifted and his fingers looked like dancing)

      Keep faith. They sense what they cannot show.
      Love and music are the last things to go. Sing anything.

      Find those you love in the dark and light.
      (At the end she still remembered the pearls my father gave her.)
      Help them through the days and nights.
      (As she lay unconscious I would whisper that I loved her.)

      Keep faith. They sense what they cannot show.
      Love and music are the last things to go. [Repeat]

      Love and compassion repair every loss, one by one, time and again.
      Keep faith. Sing anything. Keep faith. Sing anything.
      Love and music are the last things to go. Sing. 

     

    Biographies

    Nathan Leaf, Conductor

    Nathan Leaf has been the Artistic Director of the Concert Singers of Cary since 2017. He is also the Director of Choral Activities at North Carolina State University, founded the chamber consort, Voices of a New Renaissance, and was for seven years choir director at St. Stephen’s Episcopal Church in Durham. He has performed as a singer with some of the top vocal ensembles in the country, and has collaborated with many of North Carolina’s leading musical organizations, including the North Carolina Symphony, the North Carolina Master Chorale and Chamber Choir, the Chamber Orchestra of the Triangle, Mallarmé Chamber Players, the North Carolina Baroque Orchestra, and the NC HIP Music Festival. He has served as a clinician and guest conductor throughout the country, and choirs under his direction have toured extensively throughout the U.S. and abroad.

     

    Allen Bailey, Pianist

    Allen Bailey received a Master’s Degree in Piano Performance from the University of North Carolina at Greensboro 1987. As a student of Dr. George Kiorpes, he was awarded the Dean’s Scholarship and won the University’s Concerto Competition in 1985. His professional career as a soloist and accompanist has spanned the state during which he has worked with churches, soloists, large ensembles, professional and amateur, scholarly and civic. Affiliated groups include the National Association of Teachers of Singing, Duke University, NC State University, UNC-Chapel Hill, Meredith College, Peace College, NC public schools, Durham Chorale, NC Master Chorale, Concert Singers of Cary, Wake Forest United Methodist Church, and The NC Symphony. Currently, Mr. Bailey is employed by Fidelity Investments as a Software Engineer, specializing in network security.

     

    Jennifer Beattie, Mezzo-soprano

    Mezzo-soprano Jennifer Beattie, hailed by Opera News for her “exuberant voice and personality”, and by the New York Times for her “warmth”, performs a wide range of vocal music from early to experimental. She also collaborates as a poet/lyricist with classical, jazz and experimental composers, and co-creates works combining visual & performance art, poetry, music, theater, and science. She has been a featured soloist with The National Opera Orchestra at the Kennedy Center, The Philadelphia Orchestra, Opera Philadelphia, NYC’s Park Avenue Armory, and at the Mozarteum in Salzburg. As a specialist in writing for the voice she has premiered more than 150 works written for her instrument, and has been a regular Artist-in-Residence with Yale University since 2008. She is a member of composer/performer duos SpacePants (with violist Diana Wade, Los Angeles), and So Much Hot Air (with oboist Zachary Pulse). Ms. Beattie holds a Master of Music in Vocal Performance from the Manhattan School of Music in NYC, and teaches voice and performance at NC State in Raleigh.

    Will Hughes, Baritone

    Recognized for having a “handsome tone” (Dallas Morning News) and “a beautiful quality to his baritone voice” (Edge Ft. Lauderdale), Will Hughes has sung with companies including The Dallas Opera, Dallas Symphony Orchestra, The Santa Fe Opera, Des Moines Metro Opera, and Florida Grand Opera singing and covering roles in Così fan tutte (Guglielmo), Les pêcheurs de perles (Zurga), The Consul (John Sorel) Madame Butterfly (Yamadori, Yakusidé), Doctor Atomic (Jack Hubbard), Ariadne auf Naxos (Harlequin and the Wig Maker), Eugene Onegin (Captain), La bohème (Schaunard), and the title role in Billy Budd.
    Will has also performed excerpts from Iphigenie en Tauride (Oreste), Sweeney Todd (Anthony), Don Pasquale (Malatesta), Wuthering Heights (Heathcliff), La bohème (Marcello) and Gianni Schicchi where he “was excellent in the title role, completely convincing as the wily manipulator” (Voce di Meche).
     
    Very adept on the concert stage, Will’s credits include McCullough’s Holocaust Cantata; Vaughan Williams Five Mystical SongsHodie, and Fantasia on Christmas Carols; Finzi’s In terra pax; bass solos in Bach’s Magnificat, and Matthäus-Passion; and the requiems of Brahms, Duruflé and Fauré: the latter of which he has sung under the direction of Maestro John Rutter along with the maestro’s original work, Mass of the Children.
     
    Will has had the unique experience of performing staged productions of major concert works including the title role in Mendelssohn’s Elijah with Park Cities Presbyterian Church in Dallas; the bass solos in Handel’s Messiah with Wheaton College; and Petrus in Bach’s Matthäus-Passion with the Philadelphia Symphony under the direction of Yannick Nézet-Séguin.
     
    Will continues to perform frequently and applies his passion for teaching the art of singing while serving on faculty at East Carolina University. 

    Choir Members

    Concert Singers of Cary Symphonic Choir

    Soprano

    Sharanya Ananth
    Kelly Amato
    Francesca Balestrieri
    Shannon Beall
    Catherine Bennett
    Christine Bowden
    Megan Brachtl
    Elizabeth Brown
    Hannah Calhoun
    Nancy Canterbury
    Joan Eastwick
    Heather Fitch
    Andrea Garcia
    Stacy Hanna
    Ashley Holt
    Kathryn Jones
    Anneli Leander
    Sofia Leander
    Kaitlyn Lincoln
    Ashley Louden
    Beverly Olson
    Laura Pavlot
    Lauren Presley
    Melissa Sawyer
    Trisha Scott
    Rachael Shook
    Emily Simon
    Elisa Skidmore
    Nikki Stoudt
    Emily Tucker
    Jade Vogelsong

    Alto

    Christine Bonin
    Hadyn Boyte
    Elizabeth Davis
    Debi DeAnn
    Elizabeth Dworkin
    Susan Ebbs
    Shayna Feldstein
    Giuliana Giddings
    Madison Ham
    Jessica Hamm
    Shirley Hand
    Pam Hartsfield
    Lauren Hauser
    Maggie Hemedinger
    Cristina Jannings
    Pauline Jillson
    Niasha Kodzai
    Brenda Kucin
    Emiko Kuroda
    Grace Matthews
    Deborah Meehan
    Madison Muralt
    Morgan Pyrtle
    Terri Ring
    Ellen Schloemer
    Jaime Schnurr
    Susan Schnurr
    Sue Schule
    Debra Shaw
    Nancy Smith
    Faith Stevenson
    Deborah Stirdivant
    Jackie Tice
    M.J. Weissenberger
    Libby Wendorf
    Carolyn Wilcox

    Tenor

    Aaron Carlyle
    Nikhil Gheewala
    Jeremy Kelly
    Chuck McCullen
    Devon Olds
    Robert Sparks
    Jaylen Pencer
    Paul Stapleton
    Marc Stracuzza
    John Ting
    Daniel Tsui

    Bass

    Rock Angier
    Kevin Ballesteros
    Devon Cessna
    Ryan Chung
    Coltan Compton
    Tim Devinney
    Casey Erklin
    Gavin Foley
    Thom Haynes
    Connor Heinen
    Teylor Jenkins
    Josh Johnstone
    Ben Jones
    Clay Michalec
    Jonathan Pelletier
    Elijah Powell
    Bryan Pyrtle
    Alex Smith
    Todd Stevens
    Jeff Wright

    Orchestra Roster

    Orchestra Roster

    Violin: Leah Peroutka, Anne Leyland

    Viola: Suzanne Rousso

    Cello: Nathan Leyland

    Bass: Robbie Link

    Clarinet: Marianne Breneman

    Horn: Bobby Malone, Jeffrey Yelverton

    Trumpet: John Manning, Patrick Donahue

    Trombone: Matthew Parunak

    Tuba: Tony Granados

    Timpani: Julia Thompson

    Percussion: Casey D’Sola, Rosendo Peña Suarez

    Piano: Allen Bailey

    A Message from the Artistic Director

    For the last eight years, it has been my privilege and joy to direct the Concert Singers of Cary. Together, we have had the opportunity to make wonderful music together every Monday evening, to play an integral role in the cultural life of Cary, and to bring outstanding choral music to the Triangle community. The opportunities to collaborate with other musical and cultural organizations, and to become a part of the fabric of this community is one that I have cherished greatly.
    For all things, though, there is a season, no matter how wonderful. This will be my final  performance as artistic director. As I consider all that we have done together, the word that comes first to my mind is gratitude. Gratitude for the choir and board members, for our collaborative musicians and volunteers, for the support this organization receives from numerous benefactors, including the Town of Cary, and for you, our patrons. It really does take a village to make this organization go. The benefit of having such a wide base of support is that you can be assured the music will go on, and that Concert Singers will continue to grow and thrive under its next leader for many years to come.
    Additionally, this concert will be our final event with our Assistant Director, Joshua Johnstone. After three years of faithful service to CSC, Josh is heading to the Eastman School of Music to begin a master’s degree in choral conducting. We are tremendously grateful for Josh and his work, and wish him well as he begins a new professional chapter.

    Additional Resources

    Alzheimer’s and Dementia Resources

    1. Wake County Public Library: Memory Kits: https://guides.wake.gov/memorycarekits

    2. NC Dementia Alliance:
        a. Support Groups: https://dementianc.org/helpsupport/our-support-groups/
        b. Music & Memory at Home: https://dementianc.org/helpsupport/music-memory-at-home/

    3. Alzheimer’s Association, Eastern NC Chapter
        a. Support Groups: https://www.alz.org/nc/support
        b. Education & Resources: https://www.alz.org/nc/education-programs

    4. Cary Senior Center: https://www.carync.gov/recreation-enjoyment/facilities/senior-center

    5. Cary Memory Cafe: https://www.carymemorycafe.com/

    Donors

    Thank you to our generous donors!

    Visionary
    Town of Cary
    United Arts Council

    Silver Baton
    Cary Art Daze Festivals: Spring Daze and Lazy Daze

    Patron
    Debbie Carroll* & Ken Ganong
    Laura Pavlot*
    Paul Stapleton

    Benefactor
    Ann Bingham* & Joeseph Tanzini
    Megan Bracht* & Jared Selig
    Nancy Canterbury
    Sue Chaploney
    Stacy Hanna*
    Thom Haynes+
    Josh Johnstone*+
    Charles McCullen
    Terri & Mark Ring+
    Laura Yurco

    Producer
    Debi DeAnn* & Ric Goldstein
    Joan Eastwick
    Wes Everett
    Pamela Hartsfield
    Jim & Pauline Jillson
    Nathan Leaf*+
    Ellen Schlomer+
    Sue Schule
    Deborah Stirdivant
    Jennilyn Tillotson
    Jeffrey White+

    Sponsor
    Rock Angier
    Christine & Christopher Bonin
    Christine Bowden
    Hadyn Boyte
    Kelly & Nate Cash
    Ryan Chung
    Tim Devinney
    Elizabeth Dworkin
    Susan Ebbs
    Heather & Brian Fitch*
    Ken Fortier
    Nikhil Gheewala
    Nancy Handels
    Susan & Lee Hanna
    Lenora Harris-Fields
    Connor Heinen
    Teylor Jenkins
    Brenda & Thomas Kucin
    Yen-Ping Kuo
    Emiko Kuroda
    Anneli Leander
    Girard Lew
    Adam Luck
    Laura Moore
    Beverly Olson+
    Georgia Orchard
    John Rowe
    Jamie Schnurr
    Rachel Stuart
    David Talbot
    Jackie Tice
    Carolyn Wilcox
    Brian Wong
    Jeff+ & Kitty Wright

    Friend
    Kelly Amato
    Francesca Balestrieri*
    Shannon Beall
    Catherine Bennett
    Hannah Calhoun
    Stephen Cole
    Rebecca Crumby – in memory of Joe Ferguson
    Elizabeth Davis
    Casey Erklin
    Shayna Feldstein
    Phil Ferski
    Giuliana Giddings
    Mandi Goswami
    Madison Ham
    Shirley Hand
    Lauren Hauser
    Maggie Hemedinger
    Muriel Hoequist
    Kathryn Jones
    Kay Kaufman & David Winkler
    Jeremy Kelly
    Sofia Leander
    Ashley Louden
    Rachael Lubbers*+
    Melissa Martin
    Deborah Meehan
    Kenneth Muller
    Bianca Muñoz*
    Madison Muralt
    Devon Olds
    Al Pasquale
    Bryan Pyrtle
    Morgan Pyrtle
    Mara Sanchez
    Melissa Sawyer
    John Schell
    Jan & Paul Schnurr
    Susan Schnurr
    Trisha Scott
    Debra Shaw
    Emily Simon
    Elisa Skidmore
    Nancy Smith
    Nikki Stoudt
    Greg Tarsa
    Dana Thomas
    Daniel Tsui
    Jade Vogelsong
    Libby Wendorf
    Taylor Williams

    CSC Board Members *
    CSC Staff / Volunteer Staff +

    Leadership and Staff

    Staff

    Artistic Director– Nathan Leaf
    Executive Director– Marisa Highsmith
    Pianist– Allen Bailey
    Membership Administrator– Thom Haynes
    Web Master/Communications– Ellen Schloemer
    Designer– Rachael Lubbers
    Section Leaders– Beverly Olson, Soprano; Terri Ring, Alto; Jeff White, Tenor; Thom Haynes, Bass

    Board Members

    President– Stacy Hanna
    Vice President– Ashley Holt
    Treasurer– Debi DeAnn
    Secretary– Debbie Carroll

    Francesca Balestrieri
    Ann Bingham
    Megan Brachtl
    Forrest Burris
    Brian Fitch
    Joshua Johnstone
    Rachael Lubbers
    Bianca Muñoz
    Laura Pavolt
    M.J. Weissenberger

    Keep the Music Going!

    Contributions from supporters are an essential part of our funding. Please consider joining the CSC “Family” as a financial supporter; your gift will be greatly appreciated and tax-deductible to the extent allowed by law. You also will be acknowledged in all CSC concert programs as a Supporting Member.

    Special Thanks to Our Sponsors

    The Concert Singers of Cary
    Cary Arts Center
    101 Dry Avenue
    Cary, NC 27511-3312

    910-242-4314

    The Concert Singers of Cary have earned a Silver Seal from Candid.

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    We're a proud member of the Cary Chamber of Commerce, Chorus America, The Heart of Cary Association, and ArtsNC.

    Concert Singers of Cary is supported by United Arts Council of Raleigh and Wake County as well as the N.C. Arts Council, a division of the Department of Natural and Cultural Resources