The Sea, the Sky, the Abyss: Alzheimer's Stories
May 17th, 2025, Westwood Baptist Church
The Sea, the Sky, the Abyss: Alzheimer’s Stories
Concert Singers of Cary Symphonic Choir
Jennifer Beattie, mezzo soprano
Will Hughes, baritone
Nathan Leaf, conductor
Josh Johnstone, assistant conductor
Allen Bailey, pianist
Chris & M.J. Weissenberger, lighting design
This evening, you will hear music by two living American composers, Robert S. Cohen and Jake Runestad. Although the individual pieces have many differences in terms of size, structure, style, and orchestration, they are tied together in two important ways. First, while the instrumentation is different in each, they all share use of SATB choir, piano, and percussion. Once you’ve made the commitment to have several percussionists in the concert, load up a truck full of percussion instruments to bring to the performance space, and rent a beautiful concert grand piano, it seems logical to use those things as much as possible in the performance.
The second way in which this music is bound together is through the thematic concept of vastness. Certainly, when we consider the ocean, the sky, and the cosmos, we can acknowledge our limited ability to fully comprehend the scope and power of these huge bodies and spaces. Similarly, when we consider the journey of Alzheimer’s and other forms of dementia, the person who suffers from the disease and the people who care for them are entering a new world where full reality is at least partially obscured, and complete comprehension seems beyond any possibility. In all these situations, we are humbled and affected by things beyond our perception and immense forces outside of our control, for worse or for better.
Over the last decade, Jake Runestad has established himself as one of the leading choral composers in the United States. His works utilize a wide range of texts, often in unique combinations. In The Ways of Stars, the composer compiled various texts by Maria Mitchell (1818-1889), an endlessly curious Renaissance woman and the first woman to become a world-renowned astronomer and to be elected as a fellow of the American Academy of Arts and Sciences. Much of the text set to music comes from her published account of viewing an 1869 solar eclipse with a cohort of her students from Vassar College.
Alzheimer’s Stories was commissioned in 2008 by the Susquehanna Valley Chorale, a community choir in Pennsylvania. By the composer’s own admission, after giving the project some initial thought, he almost turned down the offer because it was difficult to conceive of how to write an oratorio about Alzheimer’s Disease. With the collaboration of the librettist, Hershel Garfein, “a blog was set up on the choir’s website to record stories by chorus members and the local community describing experiences with relatives and friends who had Alzheimer’s disease, with a selected group of those stories becoming the basis for the work.” The oratorio is set in three movements. The first movement, “The Numbers,” is mostly an objective description of facts and history of the disease. The second, “The Stories,” is a mosaic of stories from the blog, presented with poignancy, pathos, and humor. The third, “For the Caregivers,” finds hope and a way to cope for those who provide the care and support that is needed for their loved ones.
We are grateful to the Glade Adult Daycare Center, Cary Art Daze Festivals: Spring Daze and Lazy Daze, and the Town of Cary for their sponsorship of this program.
Thank you!
Concert Singers of Cary is immensely grateful to Westwood Baptist Church and Derrick Arellano, Associate Pastor for Music and Worship, for their hospitality and gracious assistance in hosting this concert. We would also like to thank Kathryn Jones, Kerry Johnston, and First United Methodist Church of Cary for the use of their bells as well as the NC State Department of Performing Arts and Technology for use of percussion instruments.
Program
Please silence all cell phones. Taking photos or using recording devices during the performance is a distraction to the performers and to other audience members and is strictly prohibited.
The Secret of the Sea Jake Runestad
- The Unbounded Sea
- Crash on Crash
- The Light that Fills the World
Becoming the Ocean Jake Runestad
The Ways of Stars Jake Runestad
Francesca Balestrieri, Grace Matthews, Elizabeth Brown, soloists
INTERMISSION
Alzheimer’s Stories Robert S. Cohen
Part I: The Numbers
Part II: The Stories
Part III: For the Caregivers
Texts and Translations
The Secret of the Sea
Jake Runestad
- The Unbounded Sea
Lo, the unbounded sea!
On its breast a ship starting, spreading all sails,
the pennant is flying aloft as it speeds,
below emulous waves press forward,
they surround the ship with shining curving motions and foam.
– Walt Whitman
My soul is full of longing
for the secret of the sea.
– Henry Wadsworth Longfellow
- Crash On Crash
Crash on crash of the sea,
raging against the world,
furious, the deep roar hailing you,
the very gods,
rearing their mighty length
on the unharvested sea.
– H.D. (Hilda Doolittle)
- The Light that Fills the World
The great sea
moves me, sets me free.
The winds of the earth
carry me away,
and my soul is filled with joy.
When I drifted out
and thought myself in danger,
my fears captured me –
all of the things I had to get and to reach.
but there is only one great thing,
the only thing:
to live to see the light that fills the world.
– Uvavnuk, Iglulik Eskimo
[Texts edited and adapted by the composer.]
Becoming the Ocean
Jake Runestad
Fear by Kahlil Gibran (adapt. Runestad)
It is said that before entering the sea,
a river trembles with fear.
She looks back at the path she has traveled,
from the peaks of the mountains
to the long-winding road crossing forests and villages.
And in front of her,
she sees an ocean so vast,
that to enter it
she might disappear forever.
There is no other way.
The river can not go back.
No one can go back.
The river must take the risk
of entering the ocean;
only then will fear disappear.
That’s when the river will know
it’s not disappearing into the ocean,
but becoming the ocean.
The Way of Stars
Jake Runestad
The morning was as beautiful as morning could be.
Our instruments consisted of an equatorially mounted
telescope of four inches aperture,
a small one of two and a half inches,
and a perfect little instrument of three inches.
We must try colored glasses; we must examine clamps;
we must test screws; we must adjust focus.
The moon was expected to appear at a point
122 degrees from the vertex of the sun.
There were seconds of breathless suspense,
and then the inky blackness appeared on
the burning limb of the sun.
Born a woman–born with the average brain of humanity–
born with more than the average heart–
if you are mortal, what higher destiny could you have?
No matter where you are nor what you are,
you are a power.
As the moon moved on, the crescent sun
became a narrower golden curve of light.
Light clouds drifted toward the sun;
a sickly green spread over the landscape;
Venus shone brightly on one side of the sun,
and as the last rays of sunlight disappeared…
the corona burst forth,
it encircled the sun
and sent streamers for millions
of miles into space!
We rejoiced with Nature,
we loved the light!
Give me the ways of wandering stars to know
the depths of heaven above and the earth below. (Virgil)
[Writings by Maria Mitchell, collected and adapted by the composer.]
INTERMISSION
Alzheimer’s Stories
Music: Robert S. Cohen
Libretto: Herschel Garfein
- The Numbers
Chorus: Here are the numbers.
1901. 1906. 1911.
Here are the numbers.
1901: patient diagnosed, age 51.
1906: patient died, age 55.
1911: condition named.
Here are the numbers.
1901, 2009.
1901: one patient diagnosed.
2009: five million two hundred thousand. Twenty-six million worldwide.
1901: Mrs. Auguste Deter, age 51, enters the Mental Asylum of Frankfurt am Main.
Her symptoms are unusual. 1902: loss of memory; 1903: delusions, anger;
1904: paranoia.
1906: She dies, age 55.
Her doctor is Alois Alzheimer.
Here are the numbers.
1901, 2009.
Here are the numbers. From one to twenty six million worldwide.
Here are the numbers. 2050: one hundred six million people worldwide;
one in eighty five people worldwide.
1901. Dr. Alzheimer’s question:
Baritone: What is your name?
Mezzo: Auguste.
Chorus: Question:
Baritone: What is your husband’s name?
Mezzo: Auguste, I think. Auguste.
Baritone: How long have you been here? How long have you been here?
Mezzo: I have lost myself. Ich hab mich verloren.
Chorus: Ich hab mich verloren. [Repeat]
Chorus: Question:
Baritone: What is your name?
Mezzo: Auguste.
Chorus: Question:
Baritone: What is your husband’s name?
Mezzo: Auguste, I think. Auguste.
Chorus: Question:
Baritone: How long have you been here? How long have you been here?
Mezzo: I have lost myself. Ich hab mich verloren.
Chorus: Ich hab mich verloren. [Repeat] Question:
Baritone: What are your children’s names?
Mezzo: My children?
Baritone: Their names.
Mezzo: My children? Auguste, I think.
Baritone: Your children.
Mezzo: My children?
Chorus: Ich hab mich verloren. [Repeat]
At first, a memory lapse.
Jumbling words or names;
A moderate cognitive decline.
You’re not sure where you are,
The day, the week, the year;
Forgetting simple things
Like keys or coats or everyday objects,
And then the street you live on… and soon, those you live with.
Chorus: Here are the numbers. 1901. 1906. The latest number. The numbers.
[Repeat]
Baritone: Question: What is your name? [Repeat]
Mezzo: Auguste. [Etc.]
Baritone: Question.
Mezzo: Question.
Baritone: What is your name?
Mezzo and Chorus: Ich hab mich verloren.
Baritone: How long have you been here? [Repeat]
Mezzo: Auguste, I think. [Repeat]
Chorus: Ich hab mich verloren. [Repeat]
- The Stories
Chorus: I am seeing my dad on an overturned milk crate staring at nuts and bolts from an RV wheel. He has taken it apart, the kind of thing he could do in his sleep, but now he sits staring, like he’s never seen it before. But now he sits staring.
This is my story.
I am riding with my mom back home from the A & P. We’re chatting away, enjoying the day, and then we sail through a stop sign, we’re up on the sidewalk, flying past our neighbor’s house… She had blacked out; I thought we would die.
I say, “Mom, you can’t drive now.” “I drive as well as ever.”
“Pop, you can’t live alone.” “You’re not putting me in one of those homes.”
This is my story.
Time forgotten, time remembered; images lost and names return. Place forgotten, place remembered; names have vanished, images held.
I run to my grandparents, right at the door, and I hug my grampa first. And he turns to my grandma and says, “Who on earth is this?” “Who on earth is this?”
Time forgotten, time remembered; images lost and names return.
Place forgotten, place remembered; names have vanished, images held.
* * *
Mezzo: Are we on the boat to Panama? Are we on the boat to Panama? Are we on the boat, are we on the boat to Panama?
Chorus: Mom, you’re in a nursing home.
Mezzo: Daddy’s taking us to Panama. Daddy’s taking us to Panama. Daddy’s taking us, Daddy’s taking us to Panama. We run down the boat’s long
hallways, Mary chasing after me. We pull on every doorknob, and swing off all the handrails.
Chorus: The handrails help you walk. The handrails help the patients walk. Baritone: [Interrupting:] Speaking of boats…! When I was in the Navy oh! we raised some hell!
Chorus: Yes, Dad. Yes, Dad.
Baritone: In any port, the order was: be back on board at midnight, standing on your feet.
Chorus: Uh huh.
Baritone: If you were late or showed up drunk, or had “I ’n I”* ‘til you smelled like a skunk, then KP, swab the deck, hit the rack, you’ll never go back on shore again – oh! We raised some hell.”
Speaking of boats…!
Chorus: Here we go.
Baritone: Have I told you about the Navy oh! we raised some hell!
Chorus: Yes, you raised some hell! Yes, you raised some hell!
Baritone: In any port, the order was: be back on board at midnight…
Chorus: [Muttering quietly, having heard this story many times:] Back on board.
Baritone: …standing on your feet.
Chorus: That’s right!
Baritone: If you were late…
Chorus: If you were late, or showed up drunk…
Baritone: Or showed up drunk,
Chorus: Or had “I ’n I”
Baritone: “I ’n I”
Chorus: ‘Til you smelled like a skunk,
Baritone: Smelled like a skunk then
Baritone and Chorus: KP, swab the deck, hit the rack you’ll never go back on shore again– oh! We raised some…
Baritone: [a memory:] …raised some hell.
* I’n I: “Intercourse and Intoxication” (naval slang).
* * *
Chorus: My Dad said, please sing. Sing anything. He talks to the pictures on his desk.
She dresses for church four days early Sing anything: It’s Only Make-Believe; April Showers.
Mezzo: Are we on the boat to Panama?
Baritone: I can’t remember the names of my shipmates.
Chorus: My Dad said, please sing. Sing anything.
A tiny woman tied into a wheelchair.
Pink makeup, rosy lipstick.
Next thing you know, she’s up and cha-cha-cha-ing.
Panama…Sing anything.
This is my story. This is how pieces of a life were lost. These are the pieces of a life recalled. This is my story. Love and compassion repair every loss, one by one, time and again.
* * *
Mezzo: Look at this photograph! Oh, I remember this! I’m in an evening gown, descending a gleaming circular stair. Circular stair…
- For the Caregivers
Chorus and Soloists:
Find those you love in the dark and light.
(It was brief, but she knew me; she looked at me and knew me.)
Help them through the days and nights.
(As he died, his arm lifted and his fingers looked like dancing)Keep faith. They sense what they cannot show.
Love and music are the last things to go. Sing anything.Find those you love in the dark and light.
(At the end she still remembered the pearls my father gave her.)
Help them through the days and nights.
(As she lay unconscious I would whisper that I loved her.)Keep faith. They sense what they cannot show.
Love and music are the last things to go. [Repeat]Love and compassion repair every loss, one by one, time and again.
Keep faith. Sing anything. Keep faith. Sing anything.
Love and music are the last things to go. Sing.
Biographies
Nathan Leaf, Conductor
Nathan Leaf has been the Artistic Director of the Concert Singers of Cary since 2017. He is also the Director of Choral Activities at North Carolina State University, founded the chamber consort, Voices of a New Renaissance, and was for seven years choir director at St. Stephen’s Episcopal Church in Durham. He has performed as a singer with some of the top vocal ensembles in the country, and has collaborated with many of North Carolina’s leading musical organizations, including the North Carolina Symphony, the North Carolina Master Chorale and Chamber Choir, the Chamber Orchestra of the Triangle, Mallarmé Chamber Players, the North Carolina Baroque Orchestra, and the NC HIP Music Festival. He has served as a clinician and guest conductor throughout the country, and choirs under his direction have toured extensively throughout the U.S. and abroad.
Allen Bailey, Pianist
Allen Bailey received a Master’s Degree in Piano Performance from the University of North Carolina at Greensboro 1987. As a student of Dr. George Kiorpes, he was awarded the Dean’s Scholarship and won the University’s Concerto Competition in 1985. His professional career as a soloist and accompanist has spanned the state during which he has worked with churches, soloists, large ensembles, professional and amateur, scholarly and civic. Affiliated groups include the National Association of Teachers of Singing, Duke University, NC State University, UNC-Chapel Hill, Meredith College, Peace College, NC public schools, Durham Chorale, NC Master Chorale, Concert Singers of Cary, Wake Forest United Methodist Church, and The NC Symphony. Currently, Mr. Bailey is employed by Fidelity Investments as a Software Engineer, specializing in network security.
Jennifer Beattie, Mezzo-soprano
Mezzo-soprano Jennifer Beattie, hailed by Opera News for her “exuberant voice and personality”, and by the New York Times for her “warmth”, performs a wide range of vocal music from early to experimental. She also collaborates as a poet/lyricist with classical, jazz and experimental composers, and co-creates works combining visual & performance art, poetry, music, theater, and science. She has been a featured soloist with The National Opera Orchestra at the Kennedy Center, The Philadelphia Orchestra, Opera Philadelphia, NYC’s Park Avenue Armory, and at the Mozarteum in Salzburg. As a specialist in writing for the voice she has premiered more than 150 works written for her instrument, and has been a regular Artist-in-Residence with Yale University since 2008. She is a member of composer/performer duos SpacePants (with violist Diana Wade, Los Angeles), and So Much Hot Air (with oboist Zachary Pulse). Ms. Beattie holds a Master of Music in Vocal Performance from the Manhattan School of Music in NYC, and teaches voice and performance at NC State in Raleigh.
Will Hughes, Baritone
Choir Members
Concert Singers of Cary Symphonic Choir
Soprano
Sharanya Ananth
Kelly Amato
Francesca Balestrieri
Shannon Beall
Catherine Bennett
Christine Bowden
Megan Brachtl
Elizabeth Brown
Hannah Calhoun
Nancy Canterbury
Joan Eastwick
Heather Fitch
Andrea Garcia
Stacy Hanna
Ashley Holt
Kathryn Jones
Anneli Leander
Sofia Leander
Kaitlyn Lincoln
Ashley Louden
Beverly Olson
Laura Pavlot
Lauren Presley
Melissa Sawyer
Trisha Scott
Rachael Shook
Emily Simon
Elisa Skidmore
Nikki Stoudt
Emily Tucker
Jade Vogelsong
Alto
Christine Bonin
Hadyn Boyte
Elizabeth Davis
Debi DeAnn
Elizabeth Dworkin
Susan Ebbs
Shayna Feldstein
Giuliana Giddings
Madison Ham
Jessica Hamm
Shirley Hand
Pam Hartsfield
Lauren Hauser
Maggie Hemedinger
Cristina Jannings
Pauline Jillson
Niasha Kodzai
Brenda Kucin
Emiko Kuroda
Grace Matthews
Deborah Meehan
Madison Muralt
Morgan Pyrtle
Terri Ring
Ellen Schloemer
Jaime Schnurr
Susan Schnurr
Sue Schule
Debra Shaw
Nancy Smith
Faith Stevenson
Deborah Stirdivant
Jackie Tice
M.J. Weissenberger
Libby Wendorf
Carolyn Wilcox
Tenor
Aaron Carlyle
Nikhil Gheewala
Jeremy Kelly
Chuck McCullen
Devon Olds
Robert Sparks
Jaylen Pencer
Paul Stapleton
Marc Stracuzza
John Ting
Daniel Tsui
Bass
Rock Angier
Kevin Ballesteros
Devon Cessna
Ryan Chung
Coltan Compton
Tim Devinney
Casey Erklin
Gavin Foley
Thom Haynes
Connor Heinen
Teylor Jenkins
Josh Johnstone
Ben Jones
Clay Michalec
Jonathan Pelletier
Elijah Powell
Bryan Pyrtle
Alex Smith
Todd Stevens
Jeff Wright
Orchestra Roster
Orchestra Roster
Violin: Leah Peroutka, Anne Leyland
Viola: Suzanne Rousso
Cello: Nathan Leyland
Bass: Robbie Link
Clarinet: Marianne Breneman
Horn: Bobby Malone, Jeffrey Yelverton
Trumpet: John Manning, Patrick Donahue
Trombone: Matthew Parunak
Tuba: Tony Granados
Timpani: Julia Thompson
Percussion: Casey D’Sola, Rosendo Peña Suarez
Piano: Allen Bailey
A Message from the Artistic Director
For the last eight years, it has been my privilege and joy to direct the Concert Singers of Cary. Together, we have had the opportunity to make wonderful music together every Monday evening, to play an integral role in the cultural life of Cary, and to bring outstanding choral music to the Triangle community. The opportunities to collaborate with other musical and cultural organizations, and to become a part of the fabric of this community is one that I have cherished greatly.
For all things, though, there is a season, no matter how wonderful. This will be my final performance as artistic director. As I consider all that we have done together, the word that comes first to my mind is gratitude. Gratitude for the choir and board members, for our collaborative musicians and volunteers, for the support this organization receives from numerous benefactors, including the Town of Cary, and for you, our patrons. It really does take a village to make this organization go. The benefit of having such a wide base of support is that you can be assured the music will go on, and that Concert Singers will continue to grow and thrive under its next leader for many years to come.
Additionally, this concert will be our final event with our Assistant Director, Joshua Johnstone. After three years of faithful service to CSC, Josh is heading to the Eastman School of Music to begin a master’s degree in choral conducting. We are tremendously grateful for Josh and his work, and wish him well as he begins a new professional chapter.
Additional Resources
Alzheimer’s and Dementia Resources
1. Wake County Public Library: Memory Kits: https://guides.wake.gov/memorycarekits
2. NC Dementia Alliance:
a. Support Groups: https://dementianc.org/helpsupport/our-support-groups/
b. Music & Memory at Home: https://dementianc.org/helpsupport/music-memory-at-home/
3. Alzheimer’s Association, Eastern NC Chapter
a. Support Groups: https://www.alz.org/nc/support
b. Education & Resources: https://www.alz.org/nc/education-programs
4. Cary Senior Center: https://www.carync.gov/recreation-enjoyment/facilities/senior-center
5. Cary Memory Cafe: https://www.carymemorycafe.com/
Donors
Thank you to our generous donors!
Visionary
Town of Cary
United Arts Council
Silver Baton
Cary Art Daze Festivals: Spring Daze and Lazy Daze
Patron
Debbie Carroll* & Ken Ganong
Laura Pavlot*
Paul Stapleton
Benefactor
Ann Bingham* & Joeseph Tanzini
Megan Bracht* & Jared Selig
Nancy Canterbury
Sue Chaploney
Stacy Hanna*
Thom Haynes+
Josh Johnstone*+
Charles McCullen
Terri & Mark Ring+
Laura Yurco
Producer
Debi DeAnn* & Ric Goldstein
Joan Eastwick
Wes Everett
Pamela Hartsfield
Jim & Pauline Jillson
Nathan Leaf*+
Ellen Schlomer+
Sue Schule
Deborah Stirdivant
Jennilyn Tillotson
Jeffrey White+
Sponsor
Rock Angier
Christine & Christopher Bonin
Christine Bowden
Hadyn Boyte
Kelly & Nate Cash
Ryan Chung
Tim Devinney
Elizabeth Dworkin
Susan Ebbs
Heather & Brian Fitch*
Ken Fortier
Nikhil Gheewala
Nancy Handels
Susan & Lee Hanna
Lenora Harris-Fields
Connor Heinen
Teylor Jenkins
Brenda & Thomas Kucin
Yen-Ping Kuo
Emiko Kuroda
Anneli Leander
Girard Lew
Adam Luck
Laura Moore
Beverly Olson+
Georgia Orchard
John Rowe
Jamie Schnurr
Rachel Stuart
David Talbot
Jackie Tice
Carolyn Wilcox
Brian Wong
Jeff+ & Kitty Wright
Friend
Kelly Amato
Francesca Balestrieri*
Shannon Beall
Catherine Bennett
Hannah Calhoun
Stephen Cole
Rebecca Crumby – in memory of Joe Ferguson
Elizabeth Davis
Casey Erklin
Shayna Feldstein
Phil Ferski
Giuliana Giddings
Mandi Goswami
Madison Ham
Shirley Hand
Lauren Hauser
Maggie Hemedinger
Muriel Hoequist
Kathryn Jones
Kay Kaufman & David Winkler
Jeremy Kelly
Sofia Leander
Ashley Louden
Rachael Lubbers*+
Melissa Martin
Deborah Meehan
Kenneth Muller
Bianca Muñoz*
Madison Muralt
Devon Olds
Al Pasquale
Bryan Pyrtle
Morgan Pyrtle
Mara Sanchez
Melissa Sawyer
John Schell
Jan & Paul Schnurr
Susan Schnurr
Trisha Scott
Debra Shaw
Emily Simon
Elisa Skidmore
Nancy Smith
Nikki Stoudt
Greg Tarsa
Dana Thomas
Daniel Tsui
Jade Vogelsong
Libby Wendorf
Taylor Williams
CSC Board Members *
CSC Staff / Volunteer Staff +
Leadership and Staff
Staff
Artistic Director– Nathan Leaf
Executive Director– Marisa Highsmith
Pianist– Allen Bailey
Membership Administrator– Thom Haynes
Web Master/Communications– Ellen Schloemer
Designer– Rachael Lubbers
Section Leaders– Beverly Olson, Soprano; Terri Ring, Alto; Jeff White, Tenor; Thom Haynes, Bass
Board Members
President– Stacy Hanna
Vice President– Ashley Holt
Treasurer– Debi DeAnn
Secretary– Debbie Carroll
Francesca Balestrieri
Ann Bingham
Megan Brachtl
Forrest Burris
Brian Fitch
Joshua Johnstone
Rachael Lubbers
Bianca Muñoz
Laura Pavolt
M.J. Weissenberger
Keep the Music Going!
Contributions from supporters are an essential part of our funding. Please consider joining the CSC “Family” as a financial supporter; your gift will be greatly appreciated and tax-deductible to the extent allowed by law. You also will be acknowledged in all CSC concert programs as a Supporting Member.
Special Thanks to Our Sponsors
The Concert Singers of Cary
Cary Arts Center
101 Dry Avenue
Cary, NC 27511-3312
910-242-4314
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Concert Singers of Cary is supported by United Arts Council of Raleigh and Wake County as well as the N.C. Arts Council, a division of the Department of Natural and Cultural Resources









